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The script writing´s methods about new religious movement charismatic leader
Miška, Jaroslav ; DUFEK, Jiří (advisor) ; VAJCHR, Marek (referee)
This bachelor thesis deals with the principles of finding a story from the environment of a new religious movement. He carefully analyzes the character of charismatic leader and the characters of his successors. The final result of this thesis, if possible, is going to raise awareness of new religious movements as part of the film's story. In addition, the work deals with the theme of apostate, the nature of the ritual, or the fight against an external enemy. Furthermore, he interprets the way of working with the community space and, last but not least, the process of denomination or, on the contrary, the demonization of the religious movement in the film work.
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Narrative modes of the mind game film from 1990 to 2005
Dvorská, Veronika ; KAJÁNKOVÁ, Lucia (advisor) ; POZZI, Jaroslav (referee)
The thesis examines the context and practical applictations of the narrative modes of the mind game film.
It introduces the reader to broad implications of the modern narration phenomena (where the narrative twists themself are an object of viewer's immersion and suspensions on par with audiovisual attractions).
Later, it uses terms such as perspective, anagnorisis and various types of unreliable narration to further classify and deconstruct the narrative structures of the mind game film as defined by Thomas Elsaesser.
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Lost in Munich: Genesis of Narative Structure
Palkosková, Lucie ; BRDEČKOVÁ, Tereza (advisor) ; KAJÁNKOVÁ, Lucia (referee)
The aim of this work is to analyze and describe the changes, which were made
through the development of the script and try to reconstruct author’s style of
work. The purpose of this research is to better understand how to write a story
with such a complex structure and to verify hypothesis obtained by the analysis
of the film and the versions of the script in an interview with the author himself.
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Auteur Execution of Film Dialogue
Kocábek, Daniel ; KAJÁNKOVÁ, Lucia (advisor) ; VAJCHR, Marek (referee)
This thesis is about auteur execution of film dialogue in screenplays and also in film. By analysing four different feature films, Reservoir Dogs, Chasing Amy, Before Sunset, and Rushmore this work shows how their authors shoot conversational scenes in an innovative manner. The American Independent cinema is briefly introduced as well as the auteur theory. The choice of filmmakers and specific films is explained. The thesis subsequently demonstrates how film dialogue is being viewed by film handbooks and how a conventional dialogue scene looks like. The four analyses are based on all of this information.
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Top of the Lake
Rubášová, Taťána ; MAŠEK, Vojtěch (advisor) ; KAJÁNKOVÁ, Lucia (referee)
An analysis of the television miniseries Top of the Lake, eccentric six-part drama about child abuse in a remote New Zealand community. A beautifully shot mystery, wrapped in an unpleasant thriller that's also a tale of morality. I am going to examine the phenomenon surrounding the miniseries by director Jane Campion and the mystery drama genre.
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Parallel Narrative: Case study
Djikanović, Luka ; JECH, Pavel (advisor) ; DOLENSKÝ, Martin (referee)
The thesis will be based on the book "The 21st Century Screenplay" by Linda Aronson. The first chapter will describe the six different parallel narratives from the book, while the most of the thesis will be based on Tandem Narrative which I will try to explain through the case study of three films: Traffic(Steven Soderbergh, 2000), Crimes and Misdemeanors ( Woody Allen, 1989) and Man is not a bird (Dusan Makavejev, 1965).
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Being scriptwriter
Parkanová, Beata ; MAŠEK, Vojtěch (advisor) ; DUFEK, Jiří (referee)
The goal of my Master thesis is to sketch requirements and possibilities in scriptwriters profession and to find out, what options student have in order to work as a scriptwriter professionally. What can Department of Screenwriting and Script-editing offer to the students in order to prepare them to be successful in this field.
My work is based on interviews with active professional screenwriters, questionnaires of students and last but not least, my own experience from being student and becoming professional.
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Robinson Crusoe - comparison of animated movie and live action movie
Nováková, Hana ; KUBÍČEK, Jiří (advisor) ; DUTKA, Edgar (referee)
The topic of this bachelor thesis is comparison between screenwriting for animated film and live action film and a search for differences in both types of writing. Specifically, this thesis compares two films based on the book The Life and Strange Surprising Adventures of Robinson Crusoe of York, Mariner, by Daniel Defoe. Using this book I am able to describe the possibilities of both literature and film, and to demonstrate which parts of the book are preferred for film adaptation and why. I also briefly mention the evolution of the story of Robinson Crusoe, and show how animation and live action films deal with these changes. In the final part of my thesis I compare the 1954 live action film Robinson Crusoe, directed byLuis Bunuel with the 1981 Czech puppet film The adventure of Robinson Crusoe of York, mariner, directed by Stanislav Látal. Comparing these two films enabled me to understand and describe specific rules and procedures in scriptwriting for an animated film.
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